girlyswot: (imaginary men)
girlyswot ([personal profile] girlyswot) wrote2009-04-08 07:48 pm

Casting Heyer

[livejournal.com profile] callmemadam wonders why Georgette Heyer novels have not made it to the silver screen here. In point of strict fact, I feel obliged to note that The Reluctant Widow was apparently filmed in 1950 but sank without trace (Has anyone seen it? Is it as awful as it is made out to be? The IMDB entry suggests it bore little resemblance to the book.) Still, the field appears to be wide open and since TV and film producers aren't getting round to it, I feel that it is time for my trusty flist to spring into action.

Which Heyers would you most like to see filmed? And what would be your ideal cast?
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[identity profile] girlyswot.livejournal.com 2009-04-08 06:55 pm (UTC)(link)
I'll start. *g*

I really, really want someone to film The Masqueraders. I just think that if you could pull off the first few scenes it would be amazing to watch. I envisage actual gasps in the cinema as the audience realise what's happening.

I'd cast James McAvoy as Robin. Not sure for Prudence but possibly, though with a slight grimace, Keira Knightley might do it. Needs to be someone with a slim figure and no discernable bosom. Also tall. She'd have to work on her actual acting though.
aella_irene: (Default)

[personal profile] aella_irene 2009-04-08 06:59 pm (UTC)(link)
These Old Shades!

With Lauren Ambrose as Leonie, and Peter Wingfield as the Duke.

And The Corinthian, which would probably work quite well, being relatively short, and having an adventure plot. (I have been known to lie in bed planning my ideal screenplay. It would begin with the camera panning across Regency London, slowly focusing upon the home of Sir Richard Wyndham, where his mother, sister and brother-in-law are confronting the butler. The first spoken line would be "Sir Richard, my Lady, is not at home." Great attention would be paid to costumes. It would be a mini-series, each episode a good two hours long, with the first ending at the coach accident.)

[identity profile] ankaret.livejournal.com 2009-04-08 08:11 pm (UTC)(link)
I want The Unknown Ajax with Sean Bean as Hugo. I do not care that he doesn't have the appropriate looks; I know he can do both 'cares for his family, who are driving him completely loco' and 'being Northern, and having been in the 95th Rifles' really well. :) Though alas, he's probably both too starry and too old these days.

[identity profile] tdu000.livejournal.com 2009-04-08 08:35 pm (UTC)(link)
I have seen the film of The Reluctant Widow. At least I had it on and paid occasional attention to it. It was pretty awful. It isn't a book I'm fond of so I haven't read it for ages so I am in the position of not being able really to remember either book or film very well. In the film the hero (I can't even remember his name) was an army officer who got court-marshalled for spying but this all turned out to be an elaborate hoax to force the real spy out into the open. I suppose WW2 was too recent for it to be conceivable that they could make a film set in wartime but the hero not be in the forces. I suggest you continue in not having seen it.

I don't know which I'd like to see filmed.

[identity profile] clanwilliam.livejournal.com 2009-04-09 12:30 am (UTC)(link)
Heyer hated the film of The Reluctant Widow, and her son (who only died recently) did so too, so there have been no licensings subsequent to that.

Which is a shame, since a lot of Heyer novels would work nicely in the two-part two-hour episode formats that ITV do so well (so basically a four-hour adaptation).

[identity profile] nineveh-uk.livejournal.com 2009-04-09 09:09 am (UTC)(link)
I assume that the simple reason that Heyer hasn't been filmed is that she is off the radar of a lot of the types of people who commission dramas, and that even when she comes on to it, she is dismissed as "Oh, only middle-aged women would watch that." Remember, TV exectutives were completely taken aback at the success of the first series of "Lark Rise to Candleford" - they didn't see that there was a large audience for a well-written, well-acted, well-produced, relatively gentle but not soporiric Sunday evening drama...